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Williams has been largely hit and miss over his career, although with more hits than misses.  He's only been marginal in judging a script's quality, apparently assuming that he can turn simply up the schtick and make anything great, which often can't work if the script's too formulaic (Hook and Nine Months as prime examples).  Still, he does deserve praise for not being content to stay in the loopy arena and trying to do dark roles from time to time. 

"In particular, his role as the Genie in the animated film Aladdin was instrumental in establishing the importance of star power in voice actor casting. Later, Williams once again used his voice talents in Bicentennial Man, the 2005 animated feature Robots, and an uncredited vocal performance in 2006's Everyone's Hero."

"Williams has also starred in dramatic films, earning himself two subsequent Academy Award nominations: first for playing an unorthodox and inspiring English teacher in Dead Poets Society (1989), and later for playing a troubled homeless man in The Fisher King (1991). Other acclaimed dramatic films include Awakenings (1990), What Dreams May Come (1998), and Jakob the Liar (1999)."

"In 1997 he won an Oscar as Best Supporting Actor for his role as a psychologist in Good Will Hunting. However, by the early 2000s, he was thought by some to be typecast in films such as Patch Adams (1998) and Bicentennial Man (1999) that critics complained were excessively maudlin. This apparently prompted Williams to take radically unconventional roles, beginning with the dark comedy as a lowlife kiddie show host in Death to Smoochy, followed by One Hour Photo in a watershed performance as an obsessed film developer, Insomnia as a sociopathic writer, and The Final Cut, which is more in tune with Williams as a protagonist."