QuoteReplyTopic: So Smart It’s...Duh, I Dunno... DUMB! Posted: July 28 2008 at 4:04am
ON FIRST IMPRESSION, YOU MIGHT THINK: "WOW! A SUMMER COMEDY THAT DOESN'T APPEAL to WHAT STEPHEN KING USED to CALL THE LIZARD MIND!"
BUT THEN (WHEN YOUR BRAIN KICKS IN) YOU REALIZE: IT STARS OUR RUNNER UP for MALE AWL-TIME RAZZIE® CHAM-PEEN, SIXTEEN-TIME NOMINEE and SIX TIME "WINNER" KEVIN COSTNER(WHO's STILL DESPERATELY TRYING to PASS HIMSELF OFF AS the JIMMY STEWART/GARY COOPER of the NEW MILLENNIUM).
AND THE PREMISE of SWING VOTE -- THAT EVEN WITH the ELECTORAL COLLEGE, and a CONSTITUTIONAL FRAMEWORK in PLACE THAT SENDS UNDECIDED ELECTIONS to CONGRESS for RESOLIUTION, ONE MAN's INDIVIDUAL VOTE COULD DETERMINE WHO BECOMES PRESIDENT -- IS PATENTLY RETARDED.
THE "SUSPENSION of DISBELEIF" THIS FILM REQUIRES IS EQUIVALENT to PUTTING YOURSELF into a COMA. ANYONE WHO ACTUALLY FOLLOWS (OR UNDERSTANDS) AMERICAN POLITICS SHOULD DISMISSS THIS in an INSTANT. ANYONE WHO DOES BUY THIS FILM's PREMISE SHOULD NOT BE ALLOWED ANYWHERE NEAR a POLLING PLACE THIS NOVEMBER...
THE ONE UP-SIDE of THIS FILM: IF THINGS ACTUALLY DID WORK the WAY SWING VOTE SUGGESTS THEY DO, AL GORE WOULD'VE BEEN ELECTED PRESIDENT in 2000...and THAT WOULD'VE BEEN MILLIONS of PEOPLE's IDEA of a MUCH HAPPIER ENDING!
OKAY, WE'LL CLIMB DOWN OFF of OUR SOAP BOX NOW SO YOU ("MY FELLOW POST-ERS and POST-ETTES") CAN OPINE AWAY...
COSTNER: "Yes, everyone involved in this film has two of 'em this size or larger -- For thinking intelligent audiences wouldn't notice how utterly idiotic this film's premise really is!"
At first, I didn't really wanna see this. It was like a "looks boring" type of film. Now with the commercials revealing the premise, I got a bit interested. I actually want to see it because, like the user above states, it looks like a sweet film.
When I saw this trailer, all I could think of is "after the elections of 2000 and 2004, I pretty damn sure America is well aware that the popular vote doesn't mean anything" and "the whole every vote counts slogan is nothing more than a myth." But now along comes Hollywood with this dumb excuse for a movie, hoping to keep that moronic myth alive...
"Just once I want my life to be like an 80's movie ... but, no, no. John Hughes did not direct my life." ("Easy A", 2010)
When I saw the early trailers, I shook my head. Costner has been picking movies that ranged from good to at least solid over the last few years. I couldn't believe he would pick something with such a stupid premise. When I saw the recent trailer, though, this movie actually looked (here comes the word all men have come to hate) sweet. The acting, the dialogue and the little girl may actually save this movie.
But the premise is still stupid.
If Costner is able to take an idea this stupid and make a sweet, amusing movie out of it, then it's about time someone lets his talent be used in something more substantial once again.
I'm keeping my eye on the two horror movies out in limited release this week, All the Boys Love Mandy Lane and Clive Barker's The Midnight Meat Train. So far, however, the first few reviews have been mostly good. So, Swing Vote wins my vote for most likely stinker of the weekend, despite the new trailer.
Every once in awhile, Hollywood can come up with a retarded idea for a movie so patently ridiculous that they can actually advance an intelligent argument for something as moronic and antiquated as the Electoral College (easily one of the two stupidest ideas borne by our Founding Fathers, the other being the Second Amendment -- the crappiest piece of writing in the history of legalese).
If a national election could ever be determined by a single individual of the caliber of the one portrayed by Costner in this film, I'd pack up and move to Canada.
Even if we accept, as the basic tenet of true democracy, that one moron is equal to one genius, is it necessary to go a further step and hold that two morons are better than one genius? --Leo Szliard, physicist
Nine times out of ten, in art as in life, there is no truth to be discovered, only an error to be exposed.--H.L. Menken
I actually like the premise. We all know it's ridiculous but it has never been done before and it's just fun to go along with it. I never have problems with premises I usually describe as great and unique because I'm a person who writes scripts with these types of premises. It's like Larry Cohen. He makes up great ideas and writes great scripts for these ideas.
There is a difference between originality and descent into implausibility, whether it be out of desperation or sheer ignorance (I have exactly zero confidence that the latter isn't the case here). In my view, there must be numerous compelling (perhaps even important) stories that could be told about the way we elect our national leaders in this country. The fact that Hollywood is stooping to something like this is yet another example of how little regard they have for our intellectual fortitude.
Originally posted by moviewizguy
I actually like the premise. We all know it's ridiculous but it has never been done before and it's just fun to go along with it. I never have problems with premises I usually describe as great and unique because I'm a person who writes scripts with these types of premises. It's like Larry Cohen. He makes up great ideas and writes great scripts for these ideas.
Nine times out of ten, in art as in life, there is no truth to be discovered, only an error to be exposed.--H.L. Menken
KEVIN COSTNER was in my home town of Ventura on Saturday, where he held the premiere for Swing Vote, and did free out door concert with his band Modern West. It was a benefit for local charties, and some people that got to see the film said they actually liked Costner in this one. I thought Costner was good in Open Range and also The Guardian.
I hated Open Range. I think the opening 10 minutes sums up the whole movie. I just love wasting 10 minutes watching free rangers push a wagon wheel through the mud. Yup, that's a great way to start the movie. And, unfortunately, it was one of the better scenes.
I have to give Costner and Annette Benning kudos, though, for taking some of the worst lines ever put into a western and actually showing some good acting despite what their characters had to say.
Next worst scene was Robert Duvall and James Russo unloading their guns at each other about six feet away, both laying on the floor with no obstruction between them--and missing every shot. My oh my oh my. That was such a good scene.
I will never understand why so many people rate Open Range so highly. It was sheer torture to me. Please give me True Grit, The Good, the Bad and the Ugly, The Unforgiven or, damn, I'll even take Shane over Open Range.
Of the movies I've seen with Costner, my favorites are The Untouchables, Dances with Wolves and Field of Dreams, which I've seen several times. The most recent film I've seen him in was The Guardian, and he gave a fine performance in an okay film. I actually take delight in Robin Hood: Prince of Thieves with its creakiness, corny lines, bad accents and Sean Connery as King Richard, but I'm fairly sure that isn't what Costner intended. Waterworld sucks bilgewater. . . .
It doesn't really matter how clever the movie thinks it is or if critics like Costner in it. If the movie is really lucky, it will be #3 at the B.O. come this weekend. The real story will be "Dark Knight" reaching $400 million in three weeks and whether or not it can fight off "The Mummy 3" to stay #1.
Cvcjr, your assessment of "Open Range"was spot on. And don't forget that dreadful Irish brogue James Russo attempted throughout the film. I couldn't understand a word he said. Between his marble-mouthed accent and Costner's perpetual mumbling, half the dialogue in the film was utterly unintelligible (probably utterly un-intelligent, too).
The thing that amused me most was the scene where Costner and Duvall walked outside the morning after it rained cats and dogs all night...and the ground was completely dry!
Nine times out of ten, in art as in life, there is no truth to be discovered, only an error to be exposed.--H.L. Menken
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